IIVVI

Classical / Pop / Rock · F# / G♭

I-IV-V-I in F#

The most fundamental progression in Western music. Tonic to subdominant to dominant and back — the engine behind thousands of songs.

Chords in F# I-IV-V-I

IF#
IVB
VC#
IF#

Hear I-IV-V-I in F#

I-IV-V-I in All 12 Keys

CC – F – G – CC#D♭Db – Gb – Ab – DbDD – G – A – DD#E♭Eb – Ab – Bb – EbEE – A – B – EFF – Bb – C – FF#G♭F# – B – C# – F#GG – C – D – GG#A♭Ab – Db – Eb – AbAA – D – E – AA#B♭Bb – Eb – F – BbBB – E – F# – B

Other Progressions in F#

I-V-vi-IVF# – C# – D#m – Bii-V-IG#m – C# – F#I-vi-IV-VF# – D#m – B – C#12-Bar BluesF# – B – F# – C# – B – F# – C#IV-I-V-viB – F# – C# – D#mI-III-IV-VF# – A# – B – C#

Related Progressions

12-Bar Blues in F#F# – B – F# – C# – B – F# – C#I-V-vi-IV in F#F# – C# – D#m – BI-vi-IV-V in F#F# – D#m – B – C#IV-I-V-vi in F#B – F# – C# – D#m

I-IV-V-I in F# / G♭

The I-IV-V-I progression in the key of F# uses the chords F#, B, C#, F#. These correspond to the I, IV, V, I degrees of the F# major scale.

The most fundamental progression in Western music. Tonic to subdominant to dominant and back — the engine behind thousands of songs. In F#, this progression has a characteristic sound shaped by the tonal colour of the F# root — also written as G♭ — common in classical / pop / rock. Practise hearing it until the sequence feels inevitable rather than surprising.