3:5

advanced · LCM = 15

Three against five — more angular than 3:4, with an LCM of 15.

Pattern — 15 subdivisions per cycle

● Layer A (3)● Layer B (5)● Both
3:5
Tap to play
BPM80

Mute one layer to focus on the other. LCM = 15 subdivisions per cycle.

About 3:5

3:5 creates 8 distinct attack points across a 15-subdivision cycle. The ratio sounds more dissonant and rhythmically 'jagged' than 3:4 because the two layers diverge more before reconverging. Used in modern composition and avant-garde jazz.

LCM of 3 and 5 is 15 subdivisions per cycle.

Verbal mnemonic

"now I un-der-stand it"

Examples in music

Various Contemporary Pieces

20th Century Classical

Elliott Carter's polyrhythm work